Two of our well known members will entertain us for the evening.  Both wildlife photographers, we will be sure of some excellent images and a great night!

20George Dellar Trophy
1. Held annually.
2. Image to be taken within Cambridgeshire (including Peterborough).
3. Images should feature one, or a combination of, a Landscape, Building or Landmark, People or
Events within the county.
4. The features must be easily identifiable.
5. DPI images only, not previously entered in any internal competition.
6. Maximum of 2 entries.
7. The location of capture must be entered in the “Entry Reference” box of PhotoEntry.
8. Only the highest scoring image from each member is counted toward the final scores.
9. Only one image is to be awarded the maximum of 10 points, to ensure that there is a clear winner.

President’s Challenge Trophy
1. Held annually - this year the President's theme is "Shadows"
2. Digital images only, not previously entered in any internal competition.
3. Maximum of 2 entries.
4. Only the highest scoring image from each member is counted toward the final scores.
5. Only one image is to be awarded the maximum of 10 points, to ensure that there is a clear winner.

A practical session which will allow you to try out techniques that you may not have tried before.   Please bring your camera and a tripod.

The fourth of our 6 Open- Themed Competitions.  Entries close one week before the competition.  We have two sections - a Print section and a Digital section.  All entries to be submitted using PhotoEntry.

An evening of two parts.  We will firstly see the results of the work by the Buddies, who have been working on their joint project since the beginning of the winter season.

Then we will have a chance for other members to show work and talk us through their thought processes.

On this night, the committee will be on hand to give any advice to members who would like any information about entering the annual competition in print or DPI.

20Abstract geophotographs with an ephemeral, intimate, painterly aesthetic, often incorporating geological subjects and made with intentional camera movement.

This promises to be an amazing and inspirational evening.

Sara Rawlinson is a contemporary photographer specialising in both abstract fine art and heritage architecture. She has had a camera in her hands most days since she was six years old.

Rawlinson spent a decade in academia, teaching seismology and natural hazards, before returning to her childhood love of photography in 2013. Her academic years still heavily influence her photography – often showcasing textures, landscapes, geological features, and geological current events such as sea level rise and volcanic eruptions.

Current work with abstract geophotography addresses the inherent noir dishevelment of tectonic forces and sea level rise / climate change around the world. The photos themselves have an ephemeral, intimate, painterly aesthetic: subtly luscious and dangerously timely. Water, sun and rock all mingle together — eroding cliffs, mingling with lava, interrupting horizons. Intense texture and colour are layered with seeming tranquility throughout series, thus leading the viewer to further explore the hidden complexities of dishevelment and humanity’s inherent piercing yet calming reactions.

Rawlinson’s work has won and been shortlisted for several international awards and she is a Brother of the Art Workers’ Guild.

Our tongue in cheek "speed dating" night is one of the fun and very popular evenings on our programme.  Members bring their own work on a laptop or in prints, and show this to another person who will give feedback on the image for three minutes.  After feedback is given both ways, one person moves on to chat to someone else.

This gives everyone a chance to talk to people in the club that they might not normally chat to, and also gives plenty of opportunity for feedback without any judging.

A fun night

The fifth of our 6 Open- Themed Competitions.  Entries close one week before the competition.  We have two sections - a Print section and a Digital section.  All entries to be submitted using PhotoEntry.

the best camera is the one you have with you..., your phone! 

A photographic presentation of two halves. First we will look at the types of photography that the mobile phone is ideal for – from portraiture including selfies of course, to landscape, architecture, cityscapes, how to use the phone to ‘sketch’ before getting out the ‘proper camera’. All of these will be illustrated via a mix of the presenter’s own photographs plus some of the leading mobile phone photographers in the world. The second half will have a practical focus linking the presenter’s phone to the screen to show how to get the best out of taking phone photos and then how best to process them. Members are encouraged to take images with their phones before the evening so we can process them together on the night. 

We were incredibly lucky that Jonathan was able to fit St Ives into his very busy schedule to deliver this talk.

A member of the London Salon of Photography, Jonathan is a multiple exposure (M.E.) specialist. Most of his work involves in-camera techniques along with final image adjustments in Photoshop. Based in Bedford, he works as a photographic educator for many organisations including the RPS. He is known for teaching Photoshop from the basics to advanced techniques. He works with individuals and professional photographers at all levels as well as assisting them to discover and develop their creativity. He also leads residential workshops throughout Europe in conjunction with Travelling Lens Photo Tours. He is a Permajet Envoy, affiliated to Q-Image, Jessops, Cartridge Monkey, WEX Photo and Video and DxO Labs, teaching the NIK collection on their behalf. He is an A panel National Judge and a member of Beyond Group

Two of our studio photographers talk about their work and how to achieve good images in the studio.   They will explain lighting set ups and flash photography.

A follow on from the last week's talk, members will now have a chance to practice their stills with lighting set ups for studio photography

The last of our 6 Open- Themed Competitions.  Entries close one week before the competition.  We have two sections - a Print section and a Digital section.  All entries to be submitted using PhotoEntry.

Louisa is well known for her textured images which are artworks taken from various elements of her photography.  In this session she will talk us through how to work with textures in order to create effects to elevate your photography.

Please bring a camera!

DPI and Prints.
Images should be entered in 4 out of 6 categories of the entrant’s choice.

The 2025-2026 season categories are:

Creative – defined as Altered Reality. There must be a change to an original image, although the main content should still be identifiable. Artwork or computer graphics generated by the entrant may be included as part of the image. The image cannot have been constructed by computer.

Landscape - Images of inland, coastal or maritime scenes.

Natural History – Images conforming to the PAGB definition of Nature, which is as follows:
▪ May depict landscape, geologic formations, weather phenomena, and extant
organisms as the main subject matter.
▪ This includes subjects in controlled conditions, such as zoos, game farms, botanical
gardens, aquariums or enclosures.
▪ Scientific bands, scientific tags or radio collars on wild animals are permissible.
▪ Processing of the captured image, by cropping, exposure adjustment, colour
correction, noise minimisation, dodging/burning, HDR, focus stacking and
sharpening, is allowed.
▪ Cloning of image defects and minor distractions, including overlapping elements, are
permitted.
▪ Photographs of anthropology or archaeology, human created hybrid plants, cultivated
plants, feral animals, domestic animals, or mounted specimens are ineligible, as is
any form of manipulation that alters the truth of the photographic statement.

Architecture - An Architectural image must have the primary emphasis on either the interior or exterior of a building or architectural structure.

Macro - A macro image must portray either a small subject (such as an insect) or a small part of a larger object (such as a leaf on a tree) in great detail. The subject is not limited to the natural world.

Street - Informal, candid portraits of people and incidents in public places.

DPI and Prints.
Images should be entered in 4 out of 6 categories of the entrant’s choice.

The 2025-2026 season categories are:

Creative – defined as Altered Reality. There must be a change to an original image, although the main content should still be identifiable. Artwork or computer graphics generated by the entrant may be included as part of the image. The image cannot have been constructed by computer.

Landscape - Images of inland, coastal or maritime scenes.

Natural History – Images conforming to the PAGB definition of Nature, which is as follows:
▪ May depict landscape, geologic formations, weather phenomena, and extant
organisms as the main subject matter.
▪ This includes subjects in controlled conditions, such as zoos, game farms, botanical
gardens, aquariums or enclosures.
▪ Scientific bands, scientific tags or radio collars on wild animals are permissible.
▪ Processing of the captured image, by cropping, exposure adjustment, colour
correction, noise minimisation, dodging/burning, HDR, focus stacking and
sharpening, is allowed.
▪ Cloning of image defects and minor distractions, including overlapping elements, are
permitted.
▪ Photographs of anthropology or archaeology, human created hybrid plants, cultivated
plants, feral animals, domestic animals, or mounted specimens are ineligible, as is
any form of manipulation that alters the truth of the photographic statement.

Architecture - An Architectural image must have the primary emphasis on either the interior or exterior of a building or architectural structure.

Macro - A macro image must portray either a small subject (such as an insect) or a small part of a larger object (such as a leaf on a tree) in great detail. The subject is not limited to the natural world.

Street - Informal, candid portraits of people and incidents in public places.

Monochrome Competition

Any monochrome image entered in either class of the monthly competitions or in either class of the annual competitions, scoring 9 or over, shall also be eligible for the monochrome trophy.